Profil użytkownika tasha-robinson
Thanks for Sharing (2012)
The many-threaded approach makes it feel narratively rich and sophisticated, but it also shorthands and shortchanges some of the most interesting characters.
Przeczytaj recenzję
Rush (2013)
Howard and Morgan make the journey intense enough to keep audiences guessing up to the finish line.
Przeczytaj recenzję
Riddick (2013)
Riddick taps into a primal well of audience wish-fulfillment, but over the course of its unrelieved, monotonous length, it does its best to suck that well dry.
Przeczytaj recenzję
Austenland (2013)
Austenland embraces convention, and the result is a romantic comedy in which the ending seems not just foreordained, but promised via contract from the first moment of the film.
Przeczytaj recenzję
Kick-Ass 2 (2013)
A messy, confused, over-the-top mixture of brutality and sick comedy, puckishness and ugliness, self-awareness and tone-deafness.
Przeczytaj recenzję
Planes (2013)
It’s a pleasant enough expression of a series of familiar story beats, but apart from a few brief action-sequence moments, it could hardly be more rote or vanilla.
Przeczytaj recenzję
The Smurfs 2 (2013)
The problem with Smurfs 2 isn’t the message, it’s the way the film repeats it so baldly and emphatically that even the youngest kids can get it. Also, the way it surrounds that message wi...
Przeczytaj recenzję
The Wolverine (2013)
The lack of plot coherence is a lingering irritant in a film that otherwise seems to be trying to improve on its cinematic-series forebears.
Przeczytaj recenzję
Red 2 (2013)
The focus is much more on Sarah, Frank, and their repetitive, ugly dynamic than on the giddy elements that made the first film trashy fun.
Przeczytaj recenzję
Blackfish (2013)
Taken as a whole, Blackfish does an admirable job of preaching without force-feeding, seamlessly blending opinion with reportage, and addressing its central issues from enough angles to m...
Przeczytaj recenzję